Hello folks,
I've noticed something that most of the people I know in music don't seem to take into account when they work their craft.
A songwriter is an author.
What does this mean exactly? Well in my humble opinion a song writer is similar to a novel writer in some regards.
They are writing someone's story.
For most songwriter's they are writing their own story bit by bit song by song.
Religious songwriter's may write stories from whatever sacred text they follow and put it to a melody.
Other's however write the stories that other people go through. This is one area I like to delve into myself. One of my favorite things to do when writing lyrical music or thematic instrumentals even is to go to my local library and pick up a history book.
Keep in mind that most feel history is a very dry and (bad pun) dated subject. However I'm going to attempt to change your minds today.
The first thing you need to know about history is that it's the most human subject of study you can imagine. History for the most part deals with the actions and consequences of people. Okay most of us can agree with that on some kind of level, however it goes much deeper than that!
Take for example Alexander the Great. You can look at his historical biography and you can try and put yourself in his shoes in your imagination. The more you do this the more you can start to identify with that particular character in history. Because for the sheer fact human emotion is similar in every human being. We all feel love, passion, ambition, distress, confidence, pride, fear, all of it. Imagine the pride Alexander must have felt while conquering much of the known world. Imagine any part of his life and how he would have felt in that moment.
History isn't some kind of dusty old group of stories. It's humanity at it's finest and it's worst. You can literally find inspiration at a moments notice with a simple history book in your hands. After doing something like this I've found myself writing music I didn't even know I was capable of. Such a variety of sounds that can come from writing music based on a story is much more powerful than just playing notes that fit with music theory textbooks.
Music like History is an intimate, grand, passionate, emotional experience. Most of all it is a very human experience.
The combination of the two is a very powerful concept.
I hope everyone can enjoy their time with music and find inspiration daily!
Monday, January 14, 2013
Tuesday, January 1, 2013
The Genre Debate?
Hello,
Today I wanted to talk about genre.
Specifically whether or not you should pay attention to what genre you're writing for or not.
For most of my musical career I've been writing for the rock and metal scene. I started out by learning guitar and the first accessory I bought was a distortion pedal.
That being said however there are several people that feel you don't need to distinguish genre preferences. I both agree and disagree with that statement. You might be asking yourself if I have lost my mind completely but hear me out!
When writing your music I feel that you should approach it from an emotional standpoint but when selling it or marketing it to other artists pick a genre group.
It does sound a bit confusing talking about music from an "emotional writing" standpoint. How do you write emotion? How does one even go about quantizing something that is intangible?
That's what music is all about. Unfortunately most people though they might say that they know this never try to write this way. It is severely possible and almost a requirement for great music, however if you try to write emotionally without good technique your chances of writing something useful will be severely limited.
Sad to say the greats that can pull it off without knowing music theory like Hendrix are few and far between. That's why they are legends and most of us are mere mortals.
So the first step is of course to know your music theory and know the instruments you are writing for. All that boring preliminary stuff.
But to write from an emotional standpoint you need to change the way you think first.
Don't think based on the standard instrumentation for your usual style of music. Try to open up your mind a bit, and think about what kind of "colors" to use to paint the sonic picture you want to create.
If you want something angry and aggressive, try some distortion on a guitar and palm muting. Or if you want something to imitate sheer beauty. Maybe a severely sparse high pitched piano doing slow solemn notes.
Once you're equipped with the techniques and the knowledge of the instruments you're writing for the possibilities are endless!
The second part of the equation is to market based on genre. I heard once that if you want to make it in music focus on the music first then the names after.
You can learn a good bit from that, focus on the music but then worry about branding later.
Remember you can love the music but if you actually want to make a living with music you also have to think of it as a product at a certain point. Keep in mind being the big fish in a small pond is much better than being the small fish in the big ocean!
So the 1000 fans rule definitely applies here!
However you choose to write your music, brand it when you're prepared to sell it! So just go with whatever matches your overall sound.
I will have more on both of these concepts later but this is just to get you thinking.
As usual I hope you leave inspired.
Get out and write some amazing music!
Today I wanted to talk about genre.
Specifically whether or not you should pay attention to what genre you're writing for or not.
For most of my musical career I've been writing for the rock and metal scene. I started out by learning guitar and the first accessory I bought was a distortion pedal.
That being said however there are several people that feel you don't need to distinguish genre preferences. I both agree and disagree with that statement. You might be asking yourself if I have lost my mind completely but hear me out!
When writing your music I feel that you should approach it from an emotional standpoint but when selling it or marketing it to other artists pick a genre group.
It does sound a bit confusing talking about music from an "emotional writing" standpoint. How do you write emotion? How does one even go about quantizing something that is intangible?
That's what music is all about. Unfortunately most people though they might say that they know this never try to write this way. It is severely possible and almost a requirement for great music, however if you try to write emotionally without good technique your chances of writing something useful will be severely limited.
Sad to say the greats that can pull it off without knowing music theory like Hendrix are few and far between. That's why they are legends and most of us are mere mortals.
So the first step is of course to know your music theory and know the instruments you are writing for. All that boring preliminary stuff.
But to write from an emotional standpoint you need to change the way you think first.
Don't think based on the standard instrumentation for your usual style of music. Try to open up your mind a bit, and think about what kind of "colors" to use to paint the sonic picture you want to create.
If you want something angry and aggressive, try some distortion on a guitar and palm muting. Or if you want something to imitate sheer beauty. Maybe a severely sparse high pitched piano doing slow solemn notes.
Once you're equipped with the techniques and the knowledge of the instruments you're writing for the possibilities are endless!
The second part of the equation is to market based on genre. I heard once that if you want to make it in music focus on the music first then the names after.
You can learn a good bit from that, focus on the music but then worry about branding later.
Remember you can love the music but if you actually want to make a living with music you also have to think of it as a product at a certain point. Keep in mind being the big fish in a small pond is much better than being the small fish in the big ocean!
So the 1000 fans rule definitely applies here!
However you choose to write your music, brand it when you're prepared to sell it! So just go with whatever matches your overall sound.
I will have more on both of these concepts later but this is just to get you thinking.
As usual I hope you leave inspired.
Get out and write some amazing music!
Saturday, December 29, 2012
Thoughts on the Music Process
Hello,
Lately I've been doing a lot of thinking on the process of music in a general. Most modern independent musicians and composers do 90% of the music process themselves.
That is to say that all of the things that used to be delegated to separate people is now all being done by one person.
1. Composition (songwriting)
2. Orchestrating (Arranging)
3. Recording
4. Performing on the Recording (midi or otherwise)
5. Producing
6. Editing
7. Mixing
8. Mastering
That's just the tip of the ice berg. However as you can see one person is now expected to be capable of doing the jobs normally designed for 8 separate people.
As such the whole process can sometimes jumble up into a huge mess that in actuality slows the whole process.
It turns out to be a better process to take each step in order and not move on until you have each step finished.
In the example of a one man band; the best way to go about creating an album for that person in the fastest and smoothest way possible is to do the songwriting for the entire album before you do anything else.
This means that if you read music; you would write lyrics, find chords, and then set up a lead sheet with the basic melodies for each section of each song before you move on to arranging.
From there you would take each song and write out scores arranging the lead sheet from earlier into several instruments. Again you would do this before moving onto other phases.
To save time I would just mention that you finish out the list from above in the same exact manner.
The first advantage to this method is a constant gauge of your progress in the project.
It's much easier than saying; "Welllll I have 6 songs started but nothing finished."
I've fallen into that trap more times than I can count.
The second huge advantage is a consistant sound throughout the project.
Can you imagine doing the process by song. You would do all the above for one song. Let's say it takes a couple of weeks. Well by the time you get to the second song and get to the mastering phase for that song it's going to have a completely different sound due to the change in several factors by the time you get to that song.
Doing it this way will get you to the point where you can have a consistant and smooth project both sonically and chronically.
Now I won't get into the debate as to whether you should have someone else do the mastering or doing it yourself.
I'm not backed by a record label, and I fund all my projects myself. As such, I choose to do my own mastering. It's my choice based on my current needs. If you feel you need to have another group do your mastering (or any phase of the project for that matter) that's up to you. But I'm rather stubborn and I have a specific sound in mind when I start and it drives me nuts when it doesn't sound like I wanted when I'm done. In my case the only person I can blame for those problems is myself.
As such I feel that this method will not only work for my future projects but my primary musical theme "SuccoLamia" will benefit from the change in work method.
You see before when I would do SuccoLamia material I would come at it from a sound design perspective. I think coming at a non traditional concept from a traditional standpoint will make everything more concise even though I'm working on a multi genre project with a single theme.
As always I hope the things I've written in this blog help you with your musical works.
Lately I've been doing a lot of thinking on the process of music in a general. Most modern independent musicians and composers do 90% of the music process themselves.
That is to say that all of the things that used to be delegated to separate people is now all being done by one person.
1. Composition (songwriting)
2. Orchestrating (Arranging)
3. Recording
4. Performing on the Recording (midi or otherwise)
5. Producing
6. Editing
7. Mixing
8. Mastering
That's just the tip of the ice berg. However as you can see one person is now expected to be capable of doing the jobs normally designed for 8 separate people.
As such the whole process can sometimes jumble up into a huge mess that in actuality slows the whole process.
It turns out to be a better process to take each step in order and not move on until you have each step finished.
In the example of a one man band; the best way to go about creating an album for that person in the fastest and smoothest way possible is to do the songwriting for the entire album before you do anything else.
This means that if you read music; you would write lyrics, find chords, and then set up a lead sheet with the basic melodies for each section of each song before you move on to arranging.
From there you would take each song and write out scores arranging the lead sheet from earlier into several instruments. Again you would do this before moving onto other phases.
To save time I would just mention that you finish out the list from above in the same exact manner.
The first advantage to this method is a constant gauge of your progress in the project.
It's much easier than saying; "Welllll I have 6 songs started but nothing finished."
I've fallen into that trap more times than I can count.
The second huge advantage is a consistant sound throughout the project.
Can you imagine doing the process by song. You would do all the above for one song. Let's say it takes a couple of weeks. Well by the time you get to the second song and get to the mastering phase for that song it's going to have a completely different sound due to the change in several factors by the time you get to that song.
Doing it this way will get you to the point where you can have a consistant and smooth project both sonically and chronically.
Now I won't get into the debate as to whether you should have someone else do the mastering or doing it yourself.
I'm not backed by a record label, and I fund all my projects myself. As such, I choose to do my own mastering. It's my choice based on my current needs. If you feel you need to have another group do your mastering (or any phase of the project for that matter) that's up to you. But I'm rather stubborn and I have a specific sound in mind when I start and it drives me nuts when it doesn't sound like I wanted when I'm done. In my case the only person I can blame for those problems is myself.
As such I feel that this method will not only work for my future projects but my primary musical theme "SuccoLamia" will benefit from the change in work method.
You see before when I would do SuccoLamia material I would come at it from a sound design perspective. I think coming at a non traditional concept from a traditional standpoint will make everything more concise even though I'm working on a multi genre project with a single theme.
As always I hope the things I've written in this blog help you with your musical works.
Hello Again!
Hello folks!
I'm re-publishing my songwriting and composing blog. However instead of just talking about songs that I have written or treating this as a sort of diary; I am also going to be linking to files that I have written for licensing opportunities and just songs in general to show examples of what I am talking about in my blogs.
Of course this week I have a couple of files to share with you.
http://audiojungle.net/item/somber-indecision/1681828
This first piece is a piano solo composed nearly on a whim after seeing a really somber movie hence the title "Somber Indecision"
The second is more of an agressive Trailer Score type piece.
http://audiojungle.net/item/it-was-a-firefight/1609084
These are both up for license on Audio Jungle if you would like to use them they are royalty free!
I'm re-publishing my songwriting and composing blog. However instead of just talking about songs that I have written or treating this as a sort of diary; I am also going to be linking to files that I have written for licensing opportunities and just songs in general to show examples of what I am talking about in my blogs.
Of course this week I have a couple of files to share with you.
http://audiojungle.net/item/somber-indecision/1681828
This first piece is a piano solo composed nearly on a whim after seeing a really somber movie hence the title "Somber Indecision"
The second is more of an agressive Trailer Score type piece.
http://audiojungle.net/item/it-was-a-firefight/1609084
These are both up for license on Audio Jungle if you would like to use them they are royalty free!
Subscribe to:
Posts (Atom)